As the season of Imbolc comes, and Brigid walks the land, I always feel Her fiery inspiration. There is work to do.
It's starting. Can you feel it? The light has already changed so obviously here in Oregon. Something is waking up in me. I am not usually depressed around MIdwinter. I love the dark and the long nights, and don't mind being alone at this time like some people do. But I have been deeply depressed recently. Yesterday morning was not the first day I noticed the change in the light, but it was the first morning that it broke through my gloom and touched me in some physical way. Got through my skin. As often happens around Imbolc, a new poem for Brigid came to me. Yes, Imbolc is coming. We think of snowdrops, and increasing light, of Brigid and the Cailleach. Some consider it a time of ascendency for the Rowan tree. I have been wanting to share a little something about this poem, called "Song" by Seamus Heaney for awhile now. I love this for many reasons. Each mention of tree and flower seems to bring the spirit of that plant to me. The red berried rowan which has associations with witchcraft and protection, the alder which so often has its feet in the water, the rushes, the immortelles - which is another name for Helichrysum, those little button-like flowers that dry so beautifully. Then there is birdsong and "mud flowers" and dialect. It's a lot in eight lines! And the music of what happens. What about that? Well, it's referencing this: So now you know. It's a bit Zen, isn't it? I find myself so frustrated by what is happening in our world. But I can only do what is given to me to do. Sometimes I have to accept that I am caught up in events much greater than myself, events not of my making. In the story, Stephens goes on the say that Fionn loved what happened and "would not evade it by the swerve of a hair". We spend a lot of time thinking about how to evade what might happen, not stopping to think that our energy is better spent dealing with whatever is before us. That we are better off responding to life with all the strength and beauty we can muster. That was always Fionn's way. As the season of Imbolc comes, and Brigid walks the land, I always feel Her fiery inspiration. There is work to do. I have recently created a chapbook of some of my other poems about Brigid and the Cailleach, written over the years. This little book is a handy size to use in rituals and devotional work. Poems for the Season of Imbolc $ 8.00
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Tigh nam Bodach, Gleann Cailliche - Marc Calhoun
These must be among the first verses I ever read from the Carmina Gadelica. They are two of many verses which have to do with Bride's Day, or Imbolc. If I'm honest, living here in Colorado is getting me down. Rather than looking forward to spring as I would wish to, I find myself merely dreading another summer that will be too hot and dry, and so I've been struggling to muster enthusiasm for the coming holiday of Imbolc. But a couple of hours ago, something quite small and wonderful happened. I found this: He or she was neatly folded between two flakes of hay, in a bale I opened to feed the horses. It felt like a sign. If anybody ever needed a sign, it was me, so I'll take it as so. I already had the beginnings of a poem in my head, but it had been refusing to form. My little serpent muse did the trick, however. So here is my poem.
If you enjoyed this post, you might also like The Cailleach Becomes Bride and Visions in meditation - part 1 Poems for the Season on Imbolc
A guided meditation inspired by poetry.
For my personal daily card draw I have my meditation and prayer cards shuffled in with my oracle deck. Today, this card came up. I thought it was interesting and appropriate, with all the thinking and writing I have been doing about the Cailleach and Bride. At the winter solstice, this card felt particularly appropriate, with the short days, and so on. However, it feels equally appropriate now, at Imbolc, with its theme of the natural cycles of death and rebirth in nature and in our lives. Looking at the cycles of nature and of the seasons we can all have certainty of rebirth to come.
And Death Shall Have No Dominion
Meditation and Prayer cards are available in the webshop at this link
At the recent winter solstice, I heard Damh the Bard's wonderful Colloquy of the Oak and Holly Kings for the first time. While some think of the changing of the light or of the seasons as a battle between warmth and cold or dark and light, I love how his poem acknowledges the process of gradual change. At every point in the wheel of the year which we mark as important, I see it more as a day to pause and take note of the changes that are ongoing, or a day to take heart, knowing that they will occur. Winter and spring need not always be seen as enemies. They are also partners, who each have their part in turning the wheel. This poem came to me at Imbolc two years ago. I hope you enjoy it!
But I can yet dance
Climb the trees laugh and raise a wind to throw last years leaves into a dervish circle I can tease a gentler climate up the valley to moisten the loins bring thoughts of some lustier dame Only to tumble you onto the ice What were we thinking! I cackle again from the treetops raising a storm that sends the cattle lowing and bucking in indignation from sleet like knives to the shelter of the dyke The ponies lower their heads to the ground tails plastered to their legs I will jig and reel down the beach entangled in seaweed Enraged I will blast your windows and tear your thatch You must regard me! I will rip your hat off slap your face and make you look at death squarely We must discuss this however briefly
Poems for the Season of Imbolc
Is the Cailleach actually many local weather goddesses? Is she a goddess at all?
I'm a bit worried about the Cailleach these days. She is not a simple character in either Scots or Irish folklore. You will not find the Cailleach in the great sagas and cycles of Irish or Welsh gods and heroes. You will find other "hag" figures, and if you like to take the view that all hags are just re-workings of one archetype, then I guess you can run with that. However, let's just stick to the Cailleach, for now. I said that she is not simple, but rather than being the opposite, which might be complex, I'd say that she is diverse. We don't find many variants of one Cailleach story, so much as we find a number of pretty dissimilar stories whose common thread seems to be weather. Perhaps we should introduce our stories in future, by saying "Here is a tale of a cailleach."
In Scotland, tales of weather hags which include the Cailleach Bheur, various carlines and witches and a figure known perversely as "Gentle Annie" abound, but most of these tales are very localised. Generally, the local Cailleach lives up the nearest large or barren mountain peak, or somewhere similar. She seems particularly associated with the rough weather that is common in late winter and early spring. Many regions experience a sort of false spring around the beginning of February, when lambs are born and a little fishing might be possible, only to find that the weather regresses into wildness around the time of the equinoxial gales. Scottish and Irish weather is unsettled at the best of times, but this unpredictability is particularly frustrating, challenging and dangerous at this time of year, when people were traditionally running out of foodstuffs as well as patience.
The Cailleach tales are many, but there are several general themes. In one, we find the hag holding spring/summer prisoner - usually in the form of a maiden, who may be called Bride, or Brigid. Through cunning, or with the assistance of a helper (in one case Angus Óg) Bride is able to defeat the Cailleach or escape, and spring is able to progress. However, it seems that most of these tales are modern variants of just one story collected by one folklorist, which got spread about in the folklore revival of the 20th century. This in no way devalues this story, but it is an oversimplification to say that "This is the Cailleach story." The theme of the Cailleach holding a prisoner also comes up in some local tales where a hunter or fisherman is imprisoned by an amorous Cailleach. In these tales, it may be that if the fellow is willing to kiss or make love to her, she will be young again. Meanwhile, other variants on the Cailleach/Bride theme have them as one and the same entity, where the Cailleach cyclically grows old and is renewed annually by a well of youth or some similar device.
There is also a famous poem from around the 9th century, known as The Lament of the Old Woman of Beare. This is the complaint of an old woman who has lost her beauty and wealth. Almost a kind of female Job. She says things like, "When my arms are seen, all bony and thin, they are not, I declare, worth raising around comely youths." and "My hair is scant and grey; to have a mean veil over it causes no regret." This atmosphere of bitterness and anger is one of the things which runs through the different tales of the Cailleach. Inevitably, she is portrayed as ugly and misshapen, often a giantess. Her skin is blue, she has only one eye, red teeth and other horrors - and she is not happy about it.
The Scots have a talent for irony, and the name "Gentle Annie" is a great example of this. Gentle Annie is the Cailleach figure known to fishermen of northeast Scotland, where "Gentle Annie weather" refers to the rough seas and gales of spring, which begin around the equinox and may continue until the end of April.
I'm deeply indebted to "Seren" for her article on this topic on the Tairis website. It's well researched and well presented information helped to remind me of what I already knew, as well as giving me one or two new snippets of information. This helped me get my thoughts in order and made writing this piece much less of a chore. I also looked at the Cailleach from the angle of my oracle work in First there is a mountain... some months ago.
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