Classes and workshops
Taliesin Connections
Starts 22nd February
This six-week class will focus on the poetry from the Book of Taliesin, in translation. Emphasis will be on finding meaning in the poems, their historical context, and particularly their connections to other Celtic-language texts. This will include time spent with both the "historical" and the "legendary" poems. We will be probably only cover 2-3 poems per session, to allow for real depth of understanding.

You will need a copy of The Taliesin Sourcebook (2024) edited by Frank Olding for this class. Other translations you own may prove useful, but only this book is required. The Taliesin Sourcebook is readily available from Green Magic Publishing in the UK and via mainstream online booksellers worldwide. For a discussion of other collections of the Taliesin poetry, see the video, below.
Coming in March
Irish-Brythonic Connections PAY-WHAT-YOU-CAN
What to expect from my classes
Weekly online class includes – my presentations, Q&A sessions, moderated discussions. Classes usually last around 90 minutes.
Access to class recordings if you need them. (Recordings may not always include class discussions, but will always include all presentations.)
Weekly notes. You will receive these as a PDF after each class. These will include:
Study Guide: Many classes have a study guide which includes the reading schedule, a pronunciation guide, or texts you will need for the class. (Texts are either included or you can read them online at the links provided in the study guide.)
Access to class recordings if you need them. (Recordings may not always include class discussions, but will always include all presentations.)
Weekly notes. You will receive these as a PDF after each class. These will include:
- Important points and graphics from the presentations
- links or citations to any texts referenced in the presentations
- links and citations to further reading on the topics covered, which you can follow up on, if you wish.
Study Guide: Many classes have a study guide which includes the reading schedule, a pronunciation guide, or texts you will need for the class. (Texts are either included or you can read them online at the links provided in the study guide.)
More classes
Manannán and Beyond
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In Manannán and Beyond we will explore Manannán mac Lir, the lord of the sea and the otherworld, in His many manifestations in myth, folklore and the landscape. This class ranges widely, looking at Manannán in Ireland, Man, and Scotland, and at where Manawydan fits into the picture. I hope you can join us!
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Shapeshifters and Magical Animals
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In Shapeshifters and Magical Animals we will explore stories and poems from Britain and Ireland concerning the themes of transformation, wisdom, immortality, and time. Material will be drawn from folklore, myth, early bardic poetry, and relevant modern writers. This class is suitable for students who are new to Celtic material, but should add richness and insight for those who are not.
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Mabon, Modron, and Maponos
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Maponos and Mabon were very important deities in Gaul and Britain, as were their mothers, Matrona and Modron, yet they don't get that much attention in Celtic Paganism. I aim to change that, if I can! I will do my best to guide you with a sure hand as we delve deeply into many aspects or Celtic history and myth is search of these wonderful deities. |
Celtic Poetry Workshop
PAY-WHAT-YOU-CAN
Five weeks of intense dabbling
with Celtic poetry. This class should give you a better appreciation of early Celtic poetry, plus fresh ideas to apply to writing poetry.
What if you don’t speak any Celtic languages? The question I’m asked most often about this work is what value it has to those who don’t speak the languages of the original poems. My answer is that it absolutely still has value. Poets who speak these languages have considered it worthwhile to translate their native poetry into English – giving us a window into the soul of that poetry. At the same time, by studying the techniques used by the original poets, we can find much to apply to our own writing. New and experienced
poets equally welcome! |
Meeting the Tuatha Dé Danann in the Cath Maige Tuired
PAY-WHAT-YOU-CAN
The Cath Maige Tuired (The 2nd Battle of Moytura) is a classic and central part of the Irish "mythological cycle". It is useful for introducing many of the Tuatha Dé Danann in clear characterisations, and tells a good story in the process. This class provides a close reading of the text, a look at associated texts, and profiles of many of the members of the Tuatha Dé Danann who appear in the story.
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Otherworld Journeys
The Celtic otherworlds are a mysterious and sometimes controversial topic. This four week course will explore how such places are described in the mythology and folklore of Britain and Ireland. We'll be visiting island otherworlds, magical wells and fountains, meeting the kings of Annwfn, and following stories of abduction and elopement.
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The Celtic Horse Goddesses
PAY-WHAT-YOU-CAN
Myth-telling
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This class is about re-telling Celtic myths - whether that's in the form of a short story or poem, a readable paraphrase of a text, live storytelling for adults or children, or narration for film. Opportunities to explore new ideas and improve what you're currently doing. Let's keep our stories alive! Who is this class for? This class is a good fit for anyone who has dabbled with creative writing and/or public "performance" in the broadest sense (including teaching). The desire to pass on the stories found in Celtic mythology is equally important. |
Introduction to Celtic Mythology
Currently running - registration closed
This class does what it says on the label! It offers an overview of both the Irish and Welsh Medieval texts which make up what we generally think of as Celtic Mythology. There is an emphasis on structure and sources for further self-study. Whether you are brand new to Celtic myth, or have been studying a while and feel the need to fill gaps and see the big picture, this class is for you.
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Rashiecoats
Scotland doesn’t really have the kind of Medieval ‘mythological’ texts that we find in Ireland and Wales. However, it is particularly rich in folk tales. The first time I heard the tale of Rashiecoats (so called for her beautiful dress made of green rushes) I was enthralled. This story exists in several versions and has deep roots in European folklore, as it turns out. Come for the magic – stay for a bit of scholarship.
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Yr Hen Ogledd: Tales of the Old North PAY-WHAT-YOU-CAN
Started 29th January Registration closed for this year.
I love the legends of the Old North. Not the stories of Arthur, which arise later, but that tales of Urien of Rheged and his kin. The poetry of the historical Taliesin, of Aneirin and Llywarch Hen. The confused tales of Merlin, Lailoken, and Kentigern, which in turn circle back to Owain ap Urien, and find a new native expression in the 'romance' tales of Owain, Peredur, Cynon, and others in the Mabinogion. While this class will look at historical context, the main focus is on allowing the bards and scribes to tell the story.
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