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The Stag as Creator

4/2/2013

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The stag seems to be following me of late. I see him as a friendly entity. You might know him as Cernunnos, Herne or a form of the Wild Man of the Wood. In natural history, the Red Stag (or Bull Elk to North Americans) is a powerful figure, bent on procreation above all else. Metaphysically, or metaphorically, I see him as representing fatherhood and therefore a deep creative impulse. A primal urge to make something, to bring forth a representation of ones deepest being as a gift to the future.
Picture
The Red Stag came up in a reading I did recently. Here is part of what I wrote about him in that reading -
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image: Stephen Halpin

Red Stag - Fatherhood. A balance of male and female energy. Foolish pride.

"The Red Stag is a beautiful and imposing creature, but I wouldn't describe him as cuddly! This is an animal preoccupied with breeding, and with fighting to breed. When we try to transpose that directly into human behaviour he just doesn't sound like a very nice guy. So let's not do that. Cards don't work that way. Let's think of the creative urge. In the animal, it's the urge to create more elk, but here it might mean an incredibly strong urge to make something meaningful, or to pass on something important. This is also a form of love, although it's not the directly nurturing, caring and protective love of a mother, or of many modern fathers. It's also the love of an artist or other creative person for their work, and ultimately for the society who will benefit in some way from that work. Although the creative urge can sometimes make people appear selfish, at some level they are driven by love."
Celtic languages speak of imbas or of awen. Words that might be explained, if not exactly translated, by other words such as breath, inspiration, muse, impulse, enlightenment and so on. Where does this come from? Although I have no firm answers, I think it's an important question. The answers may lie in each person's belief system. God ... some particular god or goddess ... the soul ... the psyche ... ancestral memory. This inspiration, literally a breath blowing into us, and giving us life, is asking us to operate on a higher plane - to bring that which is beautiful to light, to be shared.
I've noticed that many people are worried about opening the door to awen in the form of meditation, or something like a card reading. Yet it is only a chance for a deeper version of a familiar experience. The experience of being moved by nature or art, the experience of creating something meaningful or of knowing something greater than ourselves. While you have probably experienced all these things in a very pleasurable way, you may have also experienced them as challenging at times. They may allow us to feel or release deep emotions, make us aware of our mortality, cause us to question our beliefs or simply to expend effort. However, we call the shots. We can walk out of the theatre if the movie is too graphic, or stay in our own garden rather than have an extreme wilderness experience, we can enjoy the creativity of raising kids, rather than painting the ceiling of the Sistine chapel.
When we meditate, we try in some way to de-clutter our thoughts. Whether we strive for an "empty" mind or a focused one, we are surely opening ourselves to imbas, as well as simply de-stressing. Fifteen minutes on the meditation cushion is unlikely to bring either nirvana nor terror, however, it could be the start of something good. It could be the start of enlightenment. It could become a chance for a regular visit to an island of peace, and a chance to begin to carry a little more peace within.

When I do a reading for someone, we are both opening ourselves to a high level of inspiration. How deep this experience goes depends partly on my skill and intention in delivering a reading. Once it is placed in your hands, though, it becomes your responsibility. You get to call the shots. You can take it lightly, with a grain of salt, if it doesn't suit you, or you can over think it to such a degree that it drives you a little nuts. (I hope you don't do that, of course!) I hope that it becomes a little piece of awen that moves through me to you. I hope that it inspires your life in some great ways, but you have to take it, and make it yours and work with it for this to happen. I do believe that this is another reason that you have nothing to fear from a reading. You deal with the material in your own time, on your own terms.
When I consider this creative energy as it presents itself in our lives, I think we might understand it best through some questions. What am I driven to create? Am I honouring my creative impulse? Do I need to deal with anything that's blocking this? Is there an imbalance in my creative energy? We need to sort these things out occasionally, get them out of our way, and then we probably need to get out of our own way, and just do it. Like the stag, it's by giving ourselves over to the creative impulse that we truly find out who we are.
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Stag image: Peter Trimming

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Death Shall Have No Dominion

31/1/2013

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Picture

A guided meditation inspired by poetry.

For my personal daily card draw I have my meditation and prayer cards shuffled in with my oracle deck. Today, this card came up. I thought it was interesting and appropriate, with all the thinking and writing I have been doing about the Cailleach and Bride. At the winter solstice, this card felt particularly appropriate, with the short days, and so on. However, it feels equally appropriate now, at Imbolc, with its theme of the natural cycles of death and rebirth in nature and in our lives. Looking at the cycles of nature and of the seasons we can all have certainty of rebirth to come.
guided meditation, old woman
I was not aware of Dylan Thomas' poem until I heard it quoted by the great Irish writer and philosopher John Moriarty. The sound of his voice rolling the lines forth, drawing out the "o" in the word "no"  ... "They shall have stars at elbow and feet, and death shall have nooooo dominion"  was both touching and felt like a sort of wake-up call. A call to hope and faith.

John was a man who had experienced the utter demolition of his faith, but had gone on to explore what can only be described as "the meaning of life" in minute, patient detail. He did this via a process at once deeply personal and yet universal -- through immersing himself in nature to an almost hermetic degree, through exploring the mythology not only of the Irish, but of many other cultures. He emerged from this, toward the end of his life, with a spirituality of great depth and breadth -- not always easy for his readers to nail down, and yet so enriching to behold. I will write more about his work in the future.
And Death Shall Have No Dominion

And death shall have no dominion.
Dead man naked they shall be one
With the man in the wind and the west moon;
When their bones are picked clean and the clean bones gone,
They shall have stars at elbow and foot;
Though they go mad they shall be sane,
Though they sink through the sea they shall rise again;
Though lovers be lost love shall not;
And death shall have no dominion.

And death shall have no dominion.
Under the windings of the sea
They lying long shall not die windily;
Twisting on racks when sinews give way,
Strapped to a wheel, yet they shall not break;
Faith in their hands shall snap in two,
And the unicorn evils run them through;
Split all ends up they shan't crack;
And death shall have no dominion.

And death shall have no dominion.
No more may gulls cry at their ears
Or waves break loud on the seashores;
Where blew a flower may a flower no more
Lift its head to the blows of the rain;
Though they be mad and dead as nails,
Heads of the characters hammer through daisies;
Break in the sun till the sun breaks down,
And death shall have no dominion.

~ Dylan Thomas
guided meditation
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Visions in meditation part 3 - Epona

24/1/2013

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No plenty without earth energy.

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Introduction
This is the third of three visions I had in meditation recently. These may have partly been the result of saying a prayer which is addressed to the three deities Brigid, Manannán and Epona - I don't know. However since the first two visions concerned Brigid and Manannán I couldn't help but half expect to have a vision concerning Epona in the third meditation. I tried to keep my mind out of the way, so to speak, but I admit that it was more difficult this time, as I had an expectation which was difficult to suppress. If you are coming in in the middle of this series, and I'm not making things clear, then you might like to read the introduction to part one here.


I went to the beach once again in meditation. It got very dark. Storm? Nightfall? Of course, I thought, based on the prayer, that I "should" have a vision of Epona. Hmmmm...
lightening horse, energy horse
artist:Karen King

Well, the horse was there and I got on Her back. I was told to "Hang on!" - but then "I am not your horse, Iona!" She became huge and I was like a flea on Her. "I am a god, and I hardly notice you. I will show you the dark." Tremendous thunder and lightning then, and everything black -- more awe inspiring than frightening. "Energy! There can be no plenty without energy," She said.
We came into a green glade -- grass cropped by grazers and green trees -- and torrential rain. Unimaginably hard rain. Somehow my perspective changed and I saw her as a lady clothed in a long, hooded green cloak, and the rain was still like a waterfall. I had thoughts that it was raining so hard that it might actually uproot the grass. Energy!
At some point I remember thinking/saying that I would really like to see those forests and pastures I saw from afar in the first vision, with Bride. We went somewhere like that, briefly. It was full of colour and also full of predators and she struck at them with her forelegs in anger.
horse cave painting
Everything went black. We were going down into a deep tube or tunnel. I couldn't see/feel anything, it was hard to stay "present". I think it was the terror/bliss of loss of control. This went on for a long time. I sensed that I wasn't alone. She was still there, but I must face it alone. Dark. Black. Emptiness. A feeling that it would split me in two. Power - energy - terror - bliss - death - birth all in one.
Finally it became lighter. I saw a red orange swirling stuff. Are we deep in the earth? I long for the surface, for plants, soil, water - but she is only concerned with energy!
~ ~ ~
I came out at this point. I think I was trying to make a landscape in which to exist, and when I saw it, it was devoid of biological life. However, I believe that this was the work of my mind and I stopped there.
Thinking on this, Epona doesn't bring us baskets of fruit or grain. She isn't a horse, or a woman -- She is an aspect of the earth itself. Perhaps She is the earth. The animating force, the energy without which life is not possible.

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Visions in meditation part 2 - Manannán

22/1/2013

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The sea is ever-changing.

Picture
Introduction
This is the second of three visions I had in meditation. To read more about how this came to be, you can read the introduction to part 1. While I don't really see this as poetry, it just flowed in this format.
I sit in my room
The room is framed with magic
The window set about
With shells, with starfish
Through it I see the sea
Sitting beside it, I hear the sea
But the sea is distant
A thousand miles or more

"Come out to play!"
Manannán is calling me
"Come out to play!"
I know He is the trickster

"No trick," he says
"There is a door.
Go into the next room and see."
And there is a door
I open it to solid water
Which does not spill

Through the open doorway
I enter the water and swim
I know what it is to be a selkie
The water perfectly cool
I swim
I know the speed of a dolphin
And Manannán rides on my back

Not the stately Storm King
Of beard and robes
He is something other
Suggestion of beard
Green hide
Webbed feet
He is something ancient
Entirely other

And I see
He rides the dolphins
And the great fishes
He loves this!
And the smaller fish
His "little lambs"

And I understand
That this
This is why He is God of the Sea
Because in this life
This underwater life
Where He knows
The pleasure of speed
The pleasure of travel
He will protect
His fast steeds
His little lambs

Picture
artist: Helen Rich







manannan mac lir
"This," He tells me
"Is part of you
For your land
Was once under the sea
Now you mourn
Salt without water
The bleached bones"

And I see
When He rises from the water
He becomes that robed
And bearded Father
On His sacred island
He is thus

And now He shows me
How His waters will rise
And the earth will be whole
And the land will recede
And the people of the land
Will turn on one another
And thus reduce their numbers
And the earth will be whole
But never the same
For the sea is ever-changing


under the sea
artist: Osnat Tzadok

Out of this vision , in my "rational" mind I think more and more how foolish we are, how inflated in our sense of our abilities to think that we can "protect" Gaia from our kind. And if we're honest, we don't do it for Her, we are just trying to preserve our real estate, our playground, things we feel sentimental about, our way of life.

There is not one thing we have made which did not come from the earth - the concrete and glass, the rusting metal. We ripped it all from her breast, and when we push too far, a great change will come. Our plastic and trash and destruction will somehow be re-shaped as nothing more than strange deposits of minerals and organic material, and what is left of our race, if anything - will we be as the Fomorians or as the Tuatha Dé Danann? Or maybe Manannán's children this time?
As I typed this from my handwritten notes just now, I also remembered that Manannán is the trickster, killing and re-animating the men of the fortress to make a point, as if it's nothing.
Continue to part 3...
Here are some tales of Manannán in His role as trickster-teacher.

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Visions in meditation - part 1

20/1/2013

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Bride. Light.

Picture
Introduction
In meditation, like many other people, I have constructed through imagination a place. In my case, I take a ritual walk to a beach where often I enter at a door, to be greeted by a mysterious and kindly nun-like figure. She guides me through a beautiful spiral building to where I have something like an apartment of rooms, where I may meditate or meet guides and Gods. I may also go outdoors into a magical world. At other times, having reached the beach, I may choose to remain out of doors where I have also had many literally wonder-full experiences.
Most of the experiences, or visions, have felt quite personal. I may have shared them with a few friends. However, very recently I had three visions which I feel compelled to share. I don't claim that they necessarily contain any great message for humanity. I don't claim anything. They are what I saw when I meditated. Are they just the product of my imagination, or something more? I leave that to the reader to decide. Maybe it's not important to answer this. However, I feel that they did not come simply from my imagination. I feel that there is more to this - but I make no claim beyond "I feel". When the great Christian mystics had their visions, they were often in the awkward position of being accused of heresy or insanity. As a Pagan, I have no pope or bishop to approach for permission to publish, no panel of inquisitors. In this day, I am more likely to be accused of the heresy of belief. Ah, well!
One final thing - I'm not sure why it happened, but on the day of the first vision, something prompted me to use this prayer before I meditated. As you will see, the visions I had related to the three deities addressed here. You can read more about how I came to begin using this prayer at bedtime here.
bedtime prayer card
Blessed Manannán mac Lir,
Father of the Deep,
ensure that as I sleep tonight
I may only be contacted
by the purest
and highest consciousness.

Blessed Brigid, Mother of All,
protect me from dreams of ego.

Blessed Epona, Mare of the Night,
keep me always in the etheric realms
as we travel together
in dreams of peace.


In meditation I walked down to the beach. A beautiful, warm, damp, winter's day. I had no desire to enter the house today. I felt a bit disconnected and didn't remember descending the steps, so in my mind I re-traced them. I came around the rock outcrop and knew that there must be meadows and pastures inland. I thought, "Perhaps the Lady will meet me here. Perhaps she will take me to meet the Cailleach," but these were my own thoughts. Then she was there, in beautiful multi-coloured robes, and she showed me light. Light so loving and so radiant that filled the air and the sky all around us, and I felt weak and wild and awed all at once. The energy was very strong and I trembled a little.
Then I went up as a gull and saw how the gull loves the light more than anything - it flies in the light, it is the light. Then I was a fish in the sea, and all the herring and mackerel and cod and other fish joined me - rising toward the surface, kissing the air briefly - loving the light. Basking at the surface - accepting the beautiful light.
the goddess brigid
Brighid Walks the Land
artist: Helena Nelson-Reed

I was on land again with the Lady, and she showed me the beautiful woods and pastures not far inland, where black horses ran and frolicked - and she said that this was for me.
Next she showed me that my body/spirit is a shrine, and this was represented by a kind of gothic chapel. She gave me a bright candle and showed me how this one bright light is all I need to illuminate this space.
I puzzled a little about Bride, Manannán, Epona - which goddess is earth, which is sky? I don't really think that the question can be answered but I understand that Bride is pure light.
Continue to part 2...

Update: You might enjoy this video I made about Bride, and Imbolc.

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